Sunday, June 7, 2009

In the Spirit of Teenage Party Downness

I call myself Promniscient.

I can spend 10 hours looking for the right dress at the right price that isn't hideous or tacky for an extra petite. I can convince her that she looks stunning in it.

Then I can wade through the thousands of pairs of shoes and find the perfect pair at the very LAST SHOE STORE. And they are gorgeous, the right price and not too high in the heel (she won't come home with a twisted ankle and put a damper on our vacation). I can convince her that she looks stunning in them.

And for the final purchase: I can convince her that not everything has to be real patent leather. Not for a simple clutch. And I can convince her that she looks stunning. And she does.

Tomorrow nails.

Next day hair

and delivery to the prom.

I am promniscient. I know.

Oh...and I get a free pedicure, too....ooooh.

More

PB editors are looking for more plot in their submissions. It seems that the market is concept heavy at the moment. They say that plotty books hold up to more readings.

Voice is everything. Authentic voice...especially in MG is hardest to find.

One Art Director's favorite is another's toss.

Editors are looking for more "experimental" formats/structures in PB but be careful not to sacrifice plot.

Most writers have an internal age group where they write from.

One agent said that novelists have a hard time writing pb, but pb authors seem to manage longer works.

Quiet book still sell but they need real hooks. Not everything has to scream.

One writer (who I know) asked,"In this economy what one thing are editors and agents not looking at." An agent answered something like...his vacation on a tropical island.

One writer asked,"If my agent doesn't want to represent something I wrote can I have another agent do it." The agents seemed to agree that if you were persistent about it and insisted that they were probably not the right agents for you. "We're trying to build a career with you and specific editors...trust us." Something like that.

Witnessed a pb writer's school act/show/performance!! At first I thought...oh no...
But she was quite good and I can see how the little guys would eat it up and how more books would sell. Good job Klesmer Girl.

I also learned how nice editors can be. My critiquer was as sweet as they come. Honest, but not patronizing. Told me to sub my packages to the art department.

More later maybe.


(And when you are tired...you make typos.)





Saturday, June 6, 2009

Confearenza 2009: What I learned...and what i know

1) Good thing I didn't register for Friday. That intestinal bug knew which day to strike.
2) Good thing I didn't stay up too late listening to Bill's band at the party last night...because it doesn't matter how late I go to bed I still wake up with the birds

3) Okay...back to the conference
a) listened to the panel of eds and agents...I know what agent I want if I get a contract and I share their philosophy. I love her agency's philosophy thru and thru. I tried to find her but... there was like no time to pin someone down in the tightly mapped out schedule.  But I heard her out and LISTENED to her. 
b) I know why /DisneyHyperion is agented ONLY! It is not why you think!  Ha..Ha. Gonna send the AD a package soon...got ONE MONTH. I hate lawyers.
c) First pages... nice voice and language for me...some logic problems (duh...I know) but read on....
d) Nice critique with lovely Knopf editor who heard my first page. Showed her my art. If you are a writer/illustrator she suggested sending a dummy package to the art department. She said that this is a different situation from the pb author alone one because we/such people use both skill sets to tell the story and the eds often don't see that in the the text.
e) Had a folio critique with E.B. White. My goodness he did something completely different than what I am used to. And he told me what he thought was my strongest piece which is my favorite. More later...

I got lawst and am tres fatigue maintenant.

Bon soir...zzzzzzzzzzzzzzzz Bon nuit.

Monday, May 18, 2009

CSK and EA's post

I read this with interest.

I think of all the oppressed immigrants who settled in this great country of the United States of Irish, Scottish sp? :}(skittish... yeah), German (yeah), English (yeah), Dutch (yeah),  Scandinavian and Jewish, Italian ...........Catholic and Protestant and Jewish descent who have no constraining PB writer/ illustrator award just for them.

I embrace the melting of the cultures. All races, cultures, and religions have so much to offer which can make an artistic work such as a children's book unique, universal, timeless and great.... if well made

Time to take those badges away and think about content, quality and character. Those last three things are not necessarily applicable to the other qualities. 

Those last three qualities have no color, religion, race. They have heart, soul, honor, pride, respect, dignity and hope. And a story and writing that translates to the young and lasts in the young's minds.


Sunday, May 17, 2009

Praise for prose

Years ago when I was younger than I am now I wrote my first (and only) picture book manuscript in rhyme. The rhyme is elegant and trips the light fantastic. But it is lofty.

The story concerns a gargoyle with a gift, and an original, universal theme/premise. Great.

But...

the plot is still looking for some trouble; and the resolution walked away in a huff. The remaining manuscript put out a want ad for a great ending but so far not one satisfying ending has surfaced.

I digress.

Any preschooler will slip into early naptime on dad's lap after the first stanza. And then dad's feet will fall asleep and he won't be able to get up. Any early primary child's eyes will become permanently crossed and his hearing impaired.

The writing is so beautiful for adults or anyone who has survived the middle ages.

(I look at this masterpiece and I think I will tea-stain it and send it to a monastery. Or make it into an illumination. It is so beautiful.)

For me prose with plot is hard enough but worth the effort because plotting is fun if you work at it. It will come. (This particular one is just being stubborn.)



Point: Rhyme is best bestowed on professional rhymers who are discerning, remember pre-school and the love of sounds, or are clever enough with humor/vocabulary for school age picture book readers...but most of all patient. And can handle rhyme with plot if necessary. And to make the language and meaning full... not empty.

To me it is a hindrance. To me it is hard.

I thank the leader of my first critique group for nipping this rhyme urge in the bud... early and candidly, and for helping me to put it to bed for an extended nap. Save the children.

(Now if I can ever solve my Gargoyle picture book problems it won't be too soon. It is calling me again. And when it calls I answer.)

Happy prose!

Saturday, May 16, 2009

From pram to prom

I'm still your mom.

And hip hip hooray 

it's UVa...

(Did I hear English major????) Journalism...Katie Couric...anyone?

Go Charlotte!!



Sunday, May 10, 2009

Fencing in Hell

You go Gauguin! I knew it was you who done it.

And Vincent kept it a secret between friends to save Paul's face.

So it was Paul who cut off van Gogh's ear to spite his face.

Ahemmmmmmmm. 

Crazy painters.